Maura Garcia |

Maura García (non-enrolled Cherokee/Mattamuskeet) is a dance artist who creates contemporary Indigenous performance. Her work is powered by a desire to perpetuate ancestral knowledge, actively respect the living earth and bring happiness to people. Maura’s artistic creations reflect the power of stories to form and change our realities. Through narrative-driven choreography and beat-embracing movement she seeks to form connections, empower Indigenous cultural values and explore the rhythms of the natural world.

Both as a soloist and with ensembles, she has performed throughout North America, notably at: ArtsCenter (NC), Atlas Performing Arts Center (DC), The Dance Centre (BC, Canada), Dance Place (DC), Disney World (FL), Embassy of Senegal (DC), Kansas City Repertory Theater (MO), La MaMa Experimental Theatre Club (NY), Lawrence Arts Center (KS), Links Hall (IL), New York Theater Workshop (NY), Rhythmically Speaking Festival (MN), Talking Stick Festival (BC, Canada), Unedited Series (SC), University of Arizona, University of South Carolina, Weesageechak Begins to Dance Festival (ON, Canada), Walker Arts Center (MN) and the Woodland Cultural Centre (ON, Canada).

In addition to dance for the stage, Maura choreographs for the outdoors and in response to specific places. Her first commission was a performance for the Charleston Library Society (SC) incorporating interviews with library patrons, local Indigenous Natchez creation stories and audience participation. In 2015, the Ackland Art Museum (NC) commissioned her to make a performance in collaboration with sound artist Mark Gabriel Little in response to their featured exhibition. The following year, the inaugural event for Kansas City’s “Art in the Loop” outdoor performance series was a dance Maura created in collaboration with park passersby and city employees. In 2019, Crystal Bridges Museum of American Art presented a locally-specific remount of her work that took place in 3 different outdoor sites in northwest Arkansas.

As a fellow in the Smithsonian National Museum of the American Indian’s 2016 Artist Leadership Program, she worked with members of the Kansas City Indian Center and local Indigenous artists to realize an 8-month long arts project exploring ancient and contemporary urban Indian identity. Maura is dedicated to collaborating within Indigenous communities to celebrate group narratives through dance and other art forms. To date she has partnered with numerous organizations to carry out workshops and long-term projects: American Indian Mothers (NC), First Nations Graduate Association (NC), First Nations Student Association at the University of Kansas, Haskell Indian Nations University (KS), Ikidowin Peer Educators and Acting Ensemble (MN), Kansas City Cherokee Community (KS/MO), Native Youth Inaugural Event (DC), Onkwehón:we - The Original People’s - Festival (ON, Canada) and Two Rivers Gallery (MN). 


Maura is sought out for her community engagement and cultural advocacy work. She has facilitated master classes and residencies in the public schools, for national professional conferences, trauma support groups and universities. Through activist essays and panel speaking she has addressed issues from sustainability in the arts to the cultural rights of Native American students. Maura has completed both the Dismantling Racism Works and artEquity Facilitator Training programs. 


She has been the recipient of numerous honors: Charlotte Street Foundation’s Urban Culture Projects Studio Residency Award (MO), guest artist studio award from the University of North Carolina’s Department of Dramatic Art (NC), Jewish Community Center's Community Arts Fellowship Grant (KS), Full Circle: First Nations Performance development grant (BC, Canada), Rocket Grant Project Award (KS/MO), Heads in the Clouds development program (AB, Canada) and mentorship in the 2017 Dance/USA Institute for Leadership Training program (national). Maura has served as an adjudicator for dance festivals and grants including the Modern Atlanta Dance Festival, the NEA's Art Works grant and the MAP Fund. She is currently a Western Arts Alliance Native Launchpad Artist.


Maura currently resides on A-ma-ye-(t)li, also known as turtle island. She believes that every interaction with a living being is an opportunity to positively affect the world. As she travels the world, she continues to seek out opportunities that will allow her to dance, connect and create with others. 

On Tour:

Aniwisvsgo'i honors Indigenous planting traditions, the elements and our places in the world. The dance is split into three parts: preparing the ground, planting and harvest. The thread that connects us to our ancestral homelands, where we live now and ultimately one another, weaves itself in and out this exploration of our relationship with the powers that make growth possible.


Performers: 2

Length: 23 minutes

Venue: out doors on flat grass, soil or sand


They Are Still Talking:  One of the values shared by many Native peoples is that we are to act in consideration of those to come. Long before we were born, our ancestors’ prayers willed us into existence.  They Are Still Talking is a 4 part homage to our connection to our ancestors through air, gesture, inter-generational trauma and laughter. This excerpt of part 1, WIND, was specially remounted for community, youth and professional dancers as part of Maura Garcia's artist residency at the Lawrence Arts Center.

The excerpt presented, part 1, was specially remounted for community, youth and professional dancers as part of Maura Garcia's artist residency at the Lawrence Arts Center.


Performers: 5

Length: 50 minutes, no intermission

Venue: 50 - 350 seat theater or black box


Center Place, seven songs and seven dances, performed together live by the dynamic duo - Maura Garcia & Mark Gabriel Little. Look Before you Leap runs like a visual moving album, exploring the concepts of flight, freedom, dreams and the things that keep us bound.

CROSSROADS is an intimate, experiential show where audience members witness, determine and participate in elements of the performance. Specially adapted to each location, CROSSROADS focuses on the transformations of the people and land as they have evolved throughout the centuries.


Performers: 2 + audience

Length: 60 minutes, 1 intermission

Venue: 50 -100 seat theater or black box, museum, gallery, library or other intimate setting.

Walrus Arts Management and Consulting, LLC

Exceptional Contemporary Indigenous Performance

Andre Bouchard, Principal | Email: | Cell:  267-253-1033

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